Reviewed · SHOW
Paris: Oh My God She’s Parisian! English Comedy Show
Parisian chaos, translated into English comedy. Julie Collas, a born and bred Parisian, performs the one-woman show Oh my god she’s Parisian at Theatre Bo Saint-Martin, entirely in English with a French accent. I love that it is a real Parisian voice and that the 80-seat room makes the jokes feel personal, not packaged.
One thing to consider: it is free seating, so where you end up depends on when you arrive. If you care about seeing facial expressions and not just getting the gist, show up a bit early.
In This Review
- Key things to know before you go
- Theatre Bo Saint-Martin, and why the small room matters in Paris
- Julie Collas: English jokes with a very Parisian heartbeat
- Inside the 65 minutes: what the show feels like moment to moment
- What you learn under the jokes (and why it beats another “romantic Paris” night)
- Seats, drinks, and the practical comfort checklist
- Free seating means you should plan
- You can order a drink and bring it inside
- No cameras and no video recording
- Age fit matters
- Getting there in the 3rd arrondissement without turning it into a logistics headache
- Price and value: is $33 a smart use of an evening?
- Who this show is perfect for, and who might want to skip it
- Should you book Oh my god she’s Parisian?
- FAQ
- How long is the show?
- Where does the show take place?
- Is the show performed in English?
- Can I bring a drink into the theatre?
- Are cameras or video recording allowed?
- Is seating assigned?
- Is it wheelchair accessible?
- What is the cancellation and booking policy?
Key things to know before you go

- Julie Collas is the headline, not an act assembled for tourists. It is her Paris, her rhythm, her jokes.
- English with a French accent is the point, and it lands well even if you are not fluent in French.
- The room is small (around 80 seats), so audience interaction is more than a gimmick.
- The show changes over time. Julie updates material based on what is going on that week, so it is rarely identical.
- You can bring a drink inside from the bar, and it helps the whole evening feel more relaxed.
- No cameras or video recording, and it is aimed at ages 15 and up.
Theatre Bo Saint-Martin, and why the small room matters in Paris

This show happens at Theatre Bo Saint-Martin, 19 boulevard Saint-Martin, in the 3rd arrondissement. The neighborhood itself is busy enough to feel like real Paris, but the theatre experience stays calm, because the space is intimate.
That small scale is not just a comfort upgrade. It changes the comedy. When you are close, jokes stop feeling like general observations and start feeling like you are in on a private, slightly chaotic Parisian conversation. You also get more natural audience participation, since Julie can actually hear and react to people in real time.
If you are the type who likes structure, you will still appreciate the format: one performer, one continuous 65-minute show, and you are done without the travel-fatigue that comes with longer evenings.
Julie Collas: English jokes with a very Parisian heartbeat

The pitch is simple: a one-woman comedy about Parisians, performed in English by a real Parisian. Julie Collas brings a sharp, observant style, with the French accent left intact. The result feels friendly, not “Disneyfied.”
Here is what I think makes this work so well for English-speaking visitors. The jokes are understandable, but the delivery still carries the local texture. You get the laughs, and you also get why certain things are funny in Paris specifically, not just in any big city.
It helps that the show is described as a look at the beautiful chaos of Parisian life, with moments of “real-life drama” mixed into the humor. That balance keeps it from becoming a list of stereotypes. You will laugh, then you will recognize the situation, and you might even nod and think, yes, that is exactly how it plays out.
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Inside the 65 minutes: what the show feels like moment to moment

This is not a multi-stop “tour.” It is a single, tight experience built to move fast, about 65 minutes long. Think of it as a comedic walk through Parisian attitudes and habits, delivered by someone who lives it daily.
What you can expect in practical terms:
- Audience interaction is part of the show. People are pulled in, joked with, and teased lightly. If you sit in the front, you are more likely to become part of the story.
- The material shifts. Julie updates her content because the show is hardly ever the same twice. That means the themes feel current, not recycled.
- The pace stays high. Multiple jokes, character moments, and quick punch lines keep you from zoning out. It goes by quickly.
And while it is a comedy, it is also a crash course in how Parisians talk about their own city. You will pick up the little cultural rules that are hard to spot on a walking tour, like what is worth complaining about, what people take seriously, and what gets treated like everyday life.
What you learn under the jokes (and why it beats another “romantic Paris” night)

Paris can turn into a postcard very fast. This show takes a different angle, and that is why I rate it as such a strong evening value.
The learning is not academic. It is emotional and observational. You come out understanding:
- How Parisians see their own routines, from commuting habits to social expectations
- How language and attitude blend in daily interactions
- Why certain “small” things in Paris carry big cultural meaning
One common theme is that the show does not just say Parisians are quirky. It shows how those quirks form a system, the way people think, negotiate space, and handle impatience. That is why the humor feels more accurate than generic city comedy.
A detail I really like is that it is designed as an international evening without feeling watered down. People from different countries sit in the same room, laughing in sync, because the topics are recognizable, but the viewpoint is distinctly Parisian.
Seats, drinks, and the practical comfort checklist

Here is the practical stuff that affects your experience more than you might think.
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Free seating means you should plan
Seats are not assigned by the theatre box office. Your ticket is collected at the box office on the day of the performance, and then you choose your seat when you arrive. If you want the best chance of being close to the action, aim to show up a little early.
If you end up farther back or in a corner, you can still have a good time, but you may miss some facial details. Comedy is all about timing and expression, so seat location matters.
You can order a drink and bring it inside
You can buy a drink at the bar, including soft drinks and alcoholic drinks, and bring it inside during the show. Food and beverage are not included in your ticket, so budget a bit for whatever you want to sip.
This makes the show feel less formal. It is a comfortable way to relax after a day of museum lines and metro stairs.
No cameras and no video recording
You cannot film or record. It is a common rule for small theatres, and it also helps keep the room focused on the performance. Put your phone away and watch the show like it is a live conversation.
Age fit matters
The show is aimed at a wide audience but is not suitable for children under 15. If you are traveling with teenagers, they may enjoy it more than younger kids, since the comedy likely leans on adult themes.
Getting there in the 3rd arrondissement without turning it into a logistics headache

The meeting point is clear and central: Theatre Bo Saint-Martin, 19 boulevard Saint-Martin, 75003 Paris. The address puts you in a part of town that is easy to reach from lots of routes, but you will still want to build in a little buffer.
Since seats are free and the theatre holds your tickets at the box office for day-of collection, I suggest arriving with a small cushion. That way, you can choose your spot calmly and grab a drink before things start.
You also avoid the stress of rushing when the comedy is already moving fast.
Price and value: is $33 a smart use of an evening?

At about $33 per person for a 65-minute show, this is priced like a small theatre experience, not like a big tourist spectacle. What makes it good value is what you get per minute:
- One performer with a clear viewpoint, not a rotating cast
- A room small enough for real audience engagement
- A show that updates, so it does not feel static
It also offers something that many “top attractions” cannot. After hours of walking and sightseeing, your brain needs a break. Comedy is a reset. It is a way to slow down, sit down, and process Paris through humor instead of landmarks.
And if you have spent time trying to “figure out” Parisians, this show gives you that mental shortcut. You leave with context that helps you read the city better the next day.
Who this show is perfect for, and who might want to skip it

I think this is a great fit if:
- You want English-friendly comedy with real local perspective
- You like intimate venues where you are not hidden behind a crowd
- You enjoy audience interaction, even if you might not want to be chosen
- You are tired of the usual Paris script and want something off the main brochure
You might want to reconsider if:
- You hate any form of audience participation
- You are traveling with young kids under 15
- You need a strict, silent, no-drinks environment, since the show is lively and drinks are part of the vibe
- You strongly prefer cameras, because filming is not allowed
One more practical note: since free seating can place you in different spots, if you care deeply about front-row access, treat arrival time as part of the plan.
Should you book Oh my god she’s Parisian?

Book it if you want a genuinely different Paris evening: English comedy, delivered by a real Parisian, in a theatre where the crowd actually matters. For around an hour, it gives you laughs, cultural context, and a sense of how Paris feels when you are not just looking at monuments.
Skip it if you want a quiet, guaranteed, no-interaction experience or if you are bringing children under 15. Also, if you are very sensitive to seat location, plan to arrive early because seating is free and not assigned.
If your goal is to understand Paris beyond postcards, this one-woman show is one of the most direct shortcuts I have found.
FAQ
How long is the show?
The show runs about 65 minutes.
Where does the show take place?
It takes place at Theatre Bo Saint-Martin, 19 boulevard Saint-Martin, 75003 Paris.
Is the show performed in English?
Yes, it is entirely in English, with the performer using a French accent.
Can I bring a drink into the theatre?
Yes. You can order a drink at the bar (soft or alcoholic), and bring it inside during the show.
Are cameras or video recording allowed?
No. Video recording and cameras are not allowed.
Is seating assigned?
No. Seating is free, so seats are not assigned by the theatre box office.
Is it wheelchair accessible?
Yes, the activity is listed as wheelchair accessible.
What is the cancellation and booking policy?
You can cancel up to 24 hours in advance for a full refund. There is also a reserve now, pay later option, so you can book a spot and pay nothing today.
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